Davis’ move to get electrified and funkified and psychedelicized in the late 60s/early 70s was seen as a risk and a brash move by many at the time, but it actually was the logical direction for the man and his music to go in. The need to explore prevented Davis from playing it safe at any point in his career; plugging-in was simply a means to go even further, beginning with 1968’s Miles In The Sky album.
Kelsey and company tackle this period of Davis’ music the way it was born to be: the covers (three Miles compositions plus a version of Joe Zawinul’s “Directions”) are used as launch pads by the quintet, who venture forth in the spirit of the originals while having their own way with them. And the band’s newly-birthed “Mad Love” (offered up here as two portions of one massive jaunt) nestles into the track list comfortably – which is a measure of how well they understand what Davis was seeking … or at least sense how to navigate the same waters.
The album launches – and launches hard – with “Agharta Prelude”, a multi-chambered tune full of funkified abstractions. Play it through as many times as you’d like, digging the go-rounds of nasty sax and guitars rolling and tumbling – but then put a concentrated ear to Dean Sharp’s drums. With Gallant’s bass providing the voice of supremely funky reason, Dean pushes the beat, challenging his bandmates and steadily pushing them harder and harder for the tune’s 9-plus minutes – a high-speed, high-wire performance that’ll make you flinch multiple times with its intensity. Now that’s entertainment, boys and girls.
Now, don’t go running off – click HERE for the conclusion of my review of The Electric Miles Project on Jambands.com