Part of what’s going on here is the quartet’s ability to capture the vibes of some pretty substantial tube-amp-propelled marrow music. Consider “2nd Coming Blues”, burbling along with a low-gear rumble before launching into a flat-to-the-mat roar that melds cool and punk. The result sounds something like the late, great JJ Cale fronting a Alabama Ass Whuppin’-era version of the Drive-By Truckers. The nuts-on rhythm team of drummer Kevin Nichols and bassist Kevin Dean just keeps banging the gears while guitarist/vocalist Bill Harroun lays on the chug and tells the tale – and every now and then they let stringmaster John Gorlewski loose to beat the living dog snot out of his guitar in the coolest of ways.
Other times, the band dwells in that New Riders Of The Purple Sage/Flying Burrito Brothers “That-hippie-boy-was-kinda-fucked-up-but-he-sure-could-drive” place where fuzzy-haired freaks drink PBRs alongside the reddest of necks and everyone’s cool. Gorlewski’s pedal steel tone on “18 Wheelin’ Man” channels Sneaky Pete Kleinow at his weirdest … and just when you think you have the song pegged as a distant cousin to the New Riders’ “Kick In The Head”, everything drops back and Gorlewski comes barrel-assing out of the shadows with a … banjo? And it’s just the perfect thing. Or there’s “Sometimes” – Harroun sounding like a young David Nelson; “Change In The Weather” – with Dean’s swampy bass line challenging the major theme of the main melody; or “Speed Of Sound” offering up the album’s absolute t-shirt-and-tattoo-worthy one-liner: “Running twice the legal limit at the speed of sound.”
Don’t stop now – click right here to catch the rest of my Iron Orchard review over on Jambands.com